For hundreds of years the world has marveled at the works of art created by the "Old Masters" during the Renaissance. Not only did their achievements arise from training and talent, but also from the techniques they used in preparing their materials. It wasn't until the 20th century that some of these formulas were rediscovered.
Grumbacher has continued this tradition in the manufacture of its painting mediums, by assuring that the original paint attributes are enhanced, not compromised, by their use. Grumbacher mediums thicken or thin paints without harming their adhesive, binding, or film-forming qualities, and allow artists to achieve myriad effects such as increased flow and rapid or slow drying. They also have been proven to guard against yellowing and cracking over the course of many generations.
Oil Painting Medium I - For use with artists' oil colors where a matte finish is desired, this medium is especially useful for under-painting on an absorbent gesso ground or for mural work. Add it directly to oil color in small quantities for increased fluidity and enhanced ease of application. Composed of poppy oil, copaiba, balsam, and solvent, it does not affect the brilliance of even the most subtle tints.
Oil Painting Medium II - Formulated especially to improve flow, retard drying time, and impart a high gloss finish to the dried paint film, this is the ideal painting medium for alla prima (wet-in-wet) painting techniques. For best results, add it to paint in small amounts until the desired consistency is obtained. It contains D-Limonene and petroleum distillates, and may be diluted with pure gum spirits or turpentine.
Oil Painting Medium III - Dilutes oil color to speed drying time and improve paint flow. Add it directly to the color in small quantities. It's perfect for detail work.
Caution - Follow safety instructions carefully. Not suitable for use by children. Shipping restrictions apply to hazardous materials.